Thursday, September 08, 2011

Githurdunn!*

I finished another project! Even though it was not on either my fall 2010 OR summer 2011 sewing plans! However, I had to make it, it was so easy.

I made another Sorbetto. This time I used a yellow gingham pillowcase from the Ruth Harvey fabric collection*. Positioning the pattern so that the open end of the pillowcase would become the prefinished hems made the project even simpler. I trimmed it using commercial bias binding (in Lemon Ice). However, I reversed the Colette instructions and sewed the right side of the binding to the right side of the fabric, resulting in a clean finish on the front and then hand sewed the binding to the seam allowance on the inside. I also eliminated the final topstitching step.

Before the end of the week I should have another project done too! The pair of heathered brown shorts in the summer plan. Hopefully, the weather; which is damp and rainy lately, will perk up so I can wear them before it's too cold.


Vogue 9772


I also purchased this pattern, Vogue 9772, from their great 1990's VogueElements line (I own five others and love them all) to use for the Swiss dot I already bought. Perhaps the V-neck version in the batiste and the top layer in the Swiss dot or vice-versa.

* I realize I haven't talked about this fabric I received. I only discussed the patterns and the sewing machine my friend M was selling. So, look for a post on the fabric when I can get some decent photographs of the stash.



Quote: Larry the Cable Guy

Sunday, September 04, 2011

Bravo, Royal Wedding Guest!

Oh, mystery lady* invited to the Prussian royal wedding last week? Your style is impeccable. Loving the outfit, especially the rocking lace-covered red dress. Also your fascinator is quite pretty and tasteful. Good job!




*No mystery really, she's Countess Tamara von Nayhauss but I've just never heard of her before.

Friday, September 02, 2011

Oh, Come On!

I don't think Project Runway is even trying anymore.



Which order is correct above, Winner/Loser or Loser/Winner? One designer above won this task and the other designer was actually eliminated from the competition. In my opinion, the wrong one.


  • One looks like real fashion* and the other one looks like an arts and crafts project.

  • One shows imagination, actual designing, construction of three separate garments, and a decent manipulation of the materials. The other is a simple sheer beige gown covered with unfinished fabric scraps.

Perhaps, if the scraps had been finished in an interesting way or fastened to the dress in a way that didn't look like they were pasted on, maybe? But, just how much work, time, and thought do you think each designer put into their work? Equal amounts?

So, who do you think did a better job?

*You may think questionable fashion, but fashion, nonetheless.

Images: via
Tom and Lorenzo

Tuesday, August 30, 2011

The State Of Things

Posting may be light for a while as I start my fall World Religions class AND try to get some sewing done!

As you can see from the button on the right I will be participating in the Colette Pattern's Fall Palette challenge. As I am still working on the same coordinates from last fall and this summer's wardrobe plans (which all go together color-wise), in a way you already know what I'll be doing but I will write up a new explanatory post on my color choices, pattern choices and why.

But for today I will show you a sweet little pattern I saw on the Web last week. It may not be identical to this coat exactly but if it was made up in chocolate brown corduroy I could still see it satisfying that wish.


McCall's 3617



Images: Millie Motts Flickr stream

Wednesday, August 24, 2011

Roy Halston - Slinky in Silk

Here is my last designer profile meant for Colette Patterns.

Roy Halston (1932 - 1990) American


Halston and the Halstonettes.

Born Roy Halston Frowick in Iowa, the designer later known as Halston wanted to be in fashion and sewed as a child. Before moving to New York, there was Chicago where he took night classes studying at the Art Institute of Chicago. In New York he started in the business at the bottom, working as a window dresser and then milliner for Bergdorf Goodman in New York. His high point there was when in 1961 he supplied the first "pillbox" hat worn by the new First Lady Jacqueline Kennedy.

Halston of Bergdorf Goodman hats.



In 1966, with the help and financial backing of his employer Bergdorf Goodman, he went into business, even establishing his own ready-to-wear boutique within the store. Unfortunately, the venture only lasted eighteen months before Halston resigned to establish his own company, Halston Limited in 1968.

Wool suit, Halston of Bergdorf Goodman, 1965.

At a time in America when it was not fashionable to appear rich, his clothes portrayed an understated wealth, a sort of all-American look combined with a luxe "jet-set" vibe. He was considered America's answer to Yves Saint Laurent, as he brought sophistication to sportswear.



In 1970, he developed Halston International for his ready-to-wear clients. His style was of a minimalist nature. His clothes were usually in only one color, rarely in prints and devoid of embellishments. If a patterned or sequined fabric was used, as he did for Liza Minnelli's stage costumes, then the actual outfit design would be spare and use simple lines. Sometimes the only adornment would be the graphic jewelry designs of collaborating artist Elsa Peretti.

Silk evening dress, 1978.


His signature items were slinky halter-neck dresses and silk jersey jumpsuits in solid jewel-tone colors. Many of his clothes fastened without zippers, slipping over the head for effortless wear. His one-shouldered dresses constantly flirted with falling off the shoulders and his unstructured strapless dresses were held up by elastic, drawstrings, and gravity. These light and richly colored dresses were ideal for dancing and being seen in nightclubs.

Ultrasuede shirtdress, 1970s.

More traditional pieces such as his form-fitting turtle necks, trench coats, jackets and shirtdresses of Ultrasuede were a large part of his collections. He became so well known for his use of the synthetic fabric Ultrasuede that in 2010 a fashion documentary about the designer was released titled Ultrasuede: In Search of Halston at the Tribeca Film Festival.

Silk dress, 1978.

Halston was considered the first American designer of the Media Era and the first true celebrity designer. He appeared as himself on television and was seen out socially with customers Liza Minnelli, Angelica Huston, and Bianca Jagger at nightclubs, especially the famed Studio 54.

Nylon and plastic dress, 1970.

By 1975, he was involved in the design of home linens, menswear, fragrance, shoes, accessories, cosmetics and luggage. In 1983, he was contracted to produce an exclusive Halston collection for American discount department store, J.C. Penney. Unfortunately, among fashion insiders this was considered a huge mistake and a huge backlash developed that resulted in many clients and retail outlets dropping his business.

Silk jersey gown, 1972.

Halston's late night lifestyle and his increasing addiction to cocaine began to negatively affect his life and business. Around this time, the company was acquired by new owners who fired Halston for unreliability and stripped the designer of the rights to his name. In less than ten years, he was dead from an AIDS-related cancer.

Vogue 6606.

Home Sewing Connection: Halston designed patterns for McCall's and Vogue. Earlier Vogue patterns were for his Halston of Bergdorf Goodman hat designs and the company also benefited from his 1970-80s clothing designs.

Silk caftan, 1975.


His style, innovations, and lasting influence on fashion:
  • He won the Coty American Fashion Critics award in 1962, 1969, 1971, 1972, 1974 and was placed on the Fashion Walk of Fame in New York in 2000.
  • He appeared as himself on a 1980 fashion-themed episode of The Love Boat.
  • Designers who have stated that they were influenced by his work are Calvin Klein and Tom Ford, especially in his 1990s designs for Gucci.
  • Like many of the designers in this series, he also designed airline staff uniforms, in his case for groovy Braniff Airlines.  

Images: Costume Institute, Metropolitan Museum of Art; Museum at the Fashion Institute of Technology.
Sources: Fashion: The Century of the Designer, 1900-1999 (1999) Charlotte Seeling; The World’s Most Influential Fashion Designers (2010) Noel Palomo-Lovinski; Fashion (2003) Christopher Breward; Halston: The Bergdorf Years Patrica Myers, Bergdorf Goodman blog .