Wednesday, December 08, 2010

Mariano Fortuny - The Inventor

Originally published on the Coletterie blog.

Mariano Fortuny  (1871-1949)   Italian

Lillian Gish in Fortuny.

Though not a true couturier, by developing a hand-made dress that would never go out of style or impede a woman’s natural figure, Mariano Fortuny made a memorable name in fashion. A renaissance man of sorts, Fortuny was a painter, inventor, sculptor, architect, and theater technician. It was this last talent that led him to working with fabric. He started his career in fashion by designing costumes for theater productions. In one, he designed his Knossos scarf of silk, rectangular in shape, and printed with asymmetrical diagrams and patterns which could be manipulated around and on the body. This was where his fashion career began.

Silk velvet gown, jacket. silk Delphos dresses, 1930s.

In 1907, he designed his Delphos gowns, robes whose unique fabric modification of mushroom pleating was patented in 1909. In all, he applied and registered twenty-two patents related to his many interests such as theater lightning and garment printing processes.

Fortuny detail and label, 1920.

He created these silk dresses in rich and subtle colors, simple columns of mushroom pleating in one or two-piece tunics that slipped over the head and tied at the waist with thin twisted silk cords. Because of the elasticity created by the pleating process, the hems of his garments and their sleeves were weighted with hand-blown Venetian or Murano glass beads attached to silk cords. These not only served their function but also served as embellishment.

Delphos dress and velvet coat, 1920-30s.

Though the basic silhouette and design of these timeless dresses rarely varied, it was his talent in painting and the specific dying and surface manipulations applied to the original fabric that made each dress or robe unique. In addition, the variety of the fabrics he used was multiplied by the fact that he invented processes for printing color and metallic inks on fabrics that could achieve the effect of either brocade, velvet, or tapestries.

Fortuny detail, 1935.

Hollywood Connection: His gowns were owned and worn by dancer Isadora Duncan and actresses Dorothy and Lillian Gish. More recently one could see Fortuny gowns in the 1997 film, The Wings of the Dove, with Helena Bonham-Carter, and styled by Sandy Powell.

His style, innovations, and influence on fashion:
  • Fortuny’s secretive patented mushroom pleating of silk pongee or silk satin was a radical discovery in the freedom of movement allowed his models.
  • His stenciled velvet fabric could resemble elaborate antique tapestries.
  • Instead of the aniline dyes in use at that time his colors were created with overlaid vegetable dyes.
  • His influences ranged from Greek and Venetian to all things Arabic and Asian inspired.
Sources: 100 Dresses, (2010) Costume Institute at The Metropolitan Museum of Art; Who’s Who in Fashion(2009) Anne Stegemeyer; The World’s Most Influential Fashion Designers(2010) Noel Palomo-Lovinski.

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