Director: Joshua Logan
Vanessa Redgrave, Richard Harris, Franco Nero
Music: Alan Jay Lerner, Frederick Loewe
Costume Designer: John Truscott*
This also just happens to be one of my favorite movie musicals, along with The Music Man, Funny Face, Sound of Music, Company, West Side Story, and Sweeney Todd**. The embedded video towards the bottom of the post is a medley of all the songs from Camelot. Enjoy!
The majority of the costumes of note in this movie are worn by her character, Guinevere. A variety can be seen in the Take Me to the Fair number seen here.
Designer John Truscott’s costumes for Guinevere ran the gamut from a mustard cowl neck gown to a plain smock with a mesh-like vest (see below) to gleaming gold and burgundy red gowns. The design of the regular day gowns were perfect, as they not only evoked the medieval period of the play but also reflected the contemporary fashions of the late 1960s. The long loose hair, daisy crowns, and long A-line gowns could have been seen on the streets at that time.
The headpieces, hats, and hairstyles were highly imaginative and some of the braided styles are amazing. The film displayed Vanessa as a great beauty, important to the plot as this Guinevere is loved/or admired by all of the male knights and Arthur, her king.
|Costumes of historic English Queens, note the incredible texture.|
|My favorite angle of the dress with the open sides.|
|An example of the crochet overdress|
More images of the wedding dress can be found at the Fashion Media Arts Council and its own Hollywood Costume review.
From sketch to studio costume to film.
An exquisite design constructed of diamond shapes combined to make a monumental armored gown of interlocking diamonds of copper or bronze. The short-sleeved overdress and cape are hinged like chain mail over a long-sleeved gold patterned high-necked gown. It was then topped with a horned lizard-like hood and crown.
Here is a costume the knight Lancelot Du Lac wore during his boastful song C’est Moi. The shirt is constructed of silk with a smocked waistband and cuffs, both embellished with violet embroidery on the cuffs, waistband, and neckline.
*John Truscott won Best Costume Design that year for this film.
** The last three all with lyrics by Stephen Sondheim!
Illustrations: Haleen Holt
Images: Bettmann/Corbis, Julienslive.com auction site